Weezer: Download Festival Review by Luke Pottage

June 25, 2025

On 13 June, Weezer rolled into Donington Park — plaid shirts, thick-rimmed glasses, and decades of hits in tow. And in true Weezer fashion, they did it with a wink, a guitar solo, and a setlist packed tighter than a teenager’s garage full of angst and power chords.

Kicking things off with Hash Pipe, Rivers Cuomo and the gang wasted no time cranking up the volume and dragging the Download crowd straight into their weird, wonderful universe. There was no easing in, no polite warm-up. Just chunky riffs, head-nodding grooves, and a reminder that Weezer were here to have fun, and make sure you were too.

From there, it was a joyride through their back catalogue. My Name Is Jonas brought the early ‘90s nostalgia flooding in, while Island in the Sun had the entire field swaying like it was a beach holiday rather than a muddy field in the Midlands. Undone (The Sweater Song) arrived like a time capsule cracked open, with the crowd shouting back every awkward, emo-drenched lyric.
Weezer have always thrived in contradiction. They’re dorks with distortion pedals, rock stars who don’t take themselves too seriously. It’s what makes their live show so charming. One minute you’re basking in the summery bounce of Surf Wax America, the next you’re deep in the emotional whirlpool of Only in Dreams, wondering how a band with lyrics about Dungeons & Dragons and X-Men can still hit you in the chest.

They jumped between eras with ease, reminding everyone just how many bangers they’ve tucked under their belts over the years. Perfect Situation? Still massive. In the Garage? The introvert anthem we didn’t know we needed. The Good Life, Why Bother?, Pork and Beans. All delivered with sharp precision and zero ego.

Then came the crowd-pleasers with a twist. Beverly Hills featured a cheeky lyric change to “Livin’ in Donington Park,” which got a massive cheer, half for the effort, half for the pure cringe. And honestly, that’s the sweet spot Weezer lives in.

For the die-hard fans, there were deep cuts too. You Gave Your Love to Me Softly and Across the Sea aren’t your typical festival fare, but they went down like cult favourites should. With a sea of grateful cheers and outstretched arms.

By the time Buddy Holly rang out across the park, it felt like a victory lap. That riff. That hook. That perfectly nerdy swagger. The crowd was bouncing, singing, smiling and for those three minutes, Download felt less like a metal mecca and more like a high school prom gone brilliantly wrong.

Weezer didn’t bring the heaviest set of the weekend. But they might’ve brought the most heart. They made Donington feel like a sun-drenched 90s mixtape, and every song hit like a love letter to the weird kids who never quite fit in and didn’t want to.

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